This work represents an innovative format in which not only the musicians but also the audience actively acts, follows the instructions and thus becomes part of the performance. The instruments for this project are small percussion instruments, everyday objects and your own body (with all its possibilities including voice).

 

In the first part of the work I researched in the field of ritual, namely the traditions of different countries where these practices are still preserved (Balkans, Mexico, Bali).

Similarities and differences between the rituals and ceremonies of different peoples were an important feature of this research. What is ritual in music; what does the ritual process of a concert look like and what is its purpose were important points of orientation.

 

This composition is a meeting place with the sensual perceptions. Both musicians and the audience focus on perception through their five senses. The stimuli coming from outside should, if one concentrates fully on them and perceives them, be represented in the next step by musical instruments and the composition instructions, thereby creating a new immersion in the emotional world. This creates a fixed inner world that can be called up again at any time.